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    Home » Sample Page » Reviews » Near Dark (1987)

    Near Dark (1987)

    0
    By Phil Davies Brown on September 1, 2003 Reviews

    Kathryn Bigelow’s vampiric western hybrid gets the special edition DVD
    release courtesy of the great Anchor Bay UK, but is the film deserving of
    the special treatment?

    Young farm boy Caleb goes out for a drive one night and meets a mysterious
    young woman called Mae. The two spend the night together but Mae appears
    to be reluctant to get too close to Caleb. Caleb eventually coaxes Mae
    into kissing him but she bites him just as the sun is about to rise. Mae
    flees the scene leaving Caleb to his own devices. As Caleb nears home
    however, the sun is almost up and his skin begins to burn. Almost home,
    Caleb is grabbed and bundled into a camper van by unknown persons, much to
    the horror of his dad and sister. What ensues is a road trip from hell
    across America.

    The film is essentially a Western and it shows. Brilliantly written by
    Eric Red and Directed by Kathryn Bigelow, we are treated to many beautiful
    scenic shots of the desert at sunset and sunrise and such other
    conventions as a duel to the death between two characters in a deserted
    street although the horses and pistols are exchanged for a pair of fangs
    and a truck.

    The film oddly enough never uses the word vampire and it seems that the
    characters do not know what they are. The film does not add anything to
    the vampire genre but has obviously influenced the style of such films as
    ‘The Lost Boys’, ‘From Dusk ’till Dawn’, ‘The Forsaken’ and ‘Vampires’.

    The cast are all very good with Bill Paxton’s Severen standing out from
    the pack, Lance Henriksen giving a good show as Jesse and the undeniably
    creepy Joshua John Miller freaked me out as Homer.

    There are many highlights in this film such as a bar brawl and the
    aforementioned duel between Severen and Caleb to keep viewers entertained,
    but the story and other elements such as the romance between Caleb and
    Mae, and Caleb’s father and sister’s search to find him all keep the
    viewer intrigued.

    OVERALL SUMMARY
    This film is sadly overlooked by the masses but is so influential of the
    vampire sub-genre in subsequent years that it would be a crime not to see
    it at least once, just to prove that women can make good horror movies
    aswell.

    Phil Davies Brown
    Phil Davies Brown
    horror reviews reviews
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    Previous ArticleA Nightmare on Elm Street Part 3: Dream Warriors (1987)
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