Breanne (the delectable Debbie Rochon) and Kindra (Chainsaw Sally herself) are two sisters who also happen to be from a long line of witches. They live together in an apartment building and keep themselves to themselves in order to protect their family history and Wiccan activities. The neighbours think they’re weird, but don’t suspect their secret-that is until a mysterious man moves into the apartment below them and they begin to fear that he is keeping tabs on them. Are the Good sisters being paranoid or is something more sinister at play?
Finally…something new, fresh and exciting in the genre! JimmyO Burrill has crafted a layered story for two very talented ladies which allows them to show us their acting chops (as well as a few other body parts). These meaty roles are few and far between in indie horror films and after watching hundreds of crappy, tired re-treads I salute the team behind this for giving me something more.
Debbie Rochon is great in everything she’s ever done and I can see why she chose to do this film and holds it in such high regard. I haven’t seen any of the Chainsaw Sally stuff, but am familiar with the character and I can tell that this too is a departure for April Monique Burrill. Kudos to her husband for writing a great part for her.
The film is slowly paced but keeps you intrigued thanks to its inquisitive leads and fun supporting cast. I almost peed my pants laughing during one scene when the sister’s neighbour bursts into their flat during a blackout and they can’t get rid of her. It was so true to life.
Sadly, there were a few technical points that didn’t sit well with me, mainly questionable editing choices and the inclusion of some poor OTT sound effects towards the end. The ending itself was also a bit of a let down for me following a strong first and second act.
OVERALL SUMMARY
A few minor gripes aside, The Good Sisters is a refreshing and surprising piece of indie cinema that’s well worth a look.
