Everything about it is purely magnificent and outstanding. It’s a rare sight to behold and an even more rarity to write about such a dazzling event as this. I cannot speak highly enough about the magnificence that this has.
There are key setups and more wondrous happenings throughout the entire heart of the movie. The director has achieved an astonishing visual treat and should be proud as hell to have been part of the genius of it all.
The various costumes and outfits were stunning to behold and particular select sequences were incredible to observe. I personally am in awe at the whole process that can produce something so attention-grabbing, motivating and appealing to all generations and audiences worldwide.
But that’s quite enough about Donna D’Errico’s incredible body and stunning good looks, there was also something going on about some dude with a hook hand, blah, blah, blah.
OVERALL SUMMARY
You must have almost certainly noticed that my entire review consists of nothing more than an in depth look into the on-screen beauty that is Miss D’Errico. That is likely to be because nothing else in this movie stood out at all. The plotline was dreary and lacklustre and the acting was not particularly exciting nor engaging. It’s an absolute shame that once such a fear inducing figure such as the Candyman has transformed into a dull uninteresting personality in a mere two follow ups. The reason for one star? Donna spends most of her time with no bra on under her tops. Genius.
